Congratulations to Shuddhabrata Sengupta, recipient of the 2015 – 2016 Keith Haring Fellowship in Art and Activism at Bard College.
Sengupta, an artist, curator, and writer based in Delhi, has been selected as the second winner of the Keith Haring Fellowship in Art and Activism. Made possible through a five year-grant from the Keith Haring Foundation, the Haring Fellowship is an annual award for a scholar, activist, or artist to teach and conduct research at CCS Bard and the Human Rights Project. Sengupta’s one-year appointment will begin in September 2015. He succeeds the Dutch artist Jeanne van Heeswijk, who has held the Fellowship during its inaugural year.
For more information about Shuddhabrata Sengupta and the Center for Curatorial Studies and the Human Rights Project at Bard College, please see the full CCS Bard announcement here.
Be sure to visit (and play!) the Keith Haring piano located at 62nd St and Columbus Ave, part of the Sing for Hope Pianos project.
From June 5 – June 21, Sing for Hope places pianos throughout NYC’s parks and public spaces for anyone and everyone to play. Each piano is a unique art piece created by a different artist or designer and becomes host to impromptu concerts by professionals and amateurs alike in an open festival of music for all of New York City. At the close of the two week event Sing for Hope donates the instruments to NYC schools, healthcare facilities, and community organizations in need, allowing the pianos to enrich lives for years to come.
To learn more about the project and find locations for all 50 pianos visit the Sing for Hope website here.
An original edition of the book Grapefruit is a centerpiece of the exhibition Yoko Ono: One Woman Show, 1960-1971, currently on view at the Museum of Modern Art in New York. Yoko Ono gave Keith a copy of the bookin 1989, and we’re so happy to have it in our collection.
Don’t miss the Yoko Ono show at MoMA, on view until September 7th!
We are so excited for the opening of Tseng Kwong Chi: Performing for the Camera at NYU’s Grey Art Gallery. Tseng Kwong Chi was an amazing photographer and great friend of Keith Haring. Tseng extensively documented the vibrant downtown art scene of 1980’s New York City, and also created a fascinating and complex body of performative self-portraits addressing themes of social and political identity. Visit the exhibition website for more information, and be sure to see the show!
If you can’t see the show in New York, the exhibition is traveling to additional venues, see the list here.
Conservators working on a 120″ x 120″ painting for the next leg of The Political Line exhibition tour, opening May 1 in Germany. This painting was not included in the previous exhibition venues and hasn’t been exhibited in decades. It is a wonderful addition to the show and looks amazing!
Memphis jookin’ dance icon Lil Buck explores the dynamics of Haring’s art and writing as a vehicle that inspires his own movement. A special collaboration produced by the Aspen Institute Arts Program and the de Young, directed by Damian Woetzel.
“Now with AIDS I don’t really have any dreams any more. Whatever dreams I did have, because of having a completely different view of the future because of being sick, there’s nothing I want to do that I haven’t done. I won’t be disappointed if there’s some things that don’t get done. Inevitably, no matter how long you work, it’s always going to end some time. And there’s always going to be things left undone. And it wouldn’t matter if you lived until you were seventy-five, there would still be new ideas. There would still be things that you wished you would have accomplished. You could work for several lifetimes. If I could clone myself there would still be too much work to do, even if there were five of me. And there are no regrets, really. Part of the reason that I’m not having trouble facing the reality of death is that it’s not a limitation, in a way. It could have happened any time and it is going to happen to someone any time. If you live your life according to that, death is irrelevant. Everything I’m doing right now is exactly what I want to do.” – Keith Haring. May 3, 1989