Keith Haring created this logo for Heritage of Pride, the organization that hosts New York City’s Pride events in commemoration of the Stonewall Riots of 1969, the beginning of the modern Gay Rights movement. The Stonewall Inn was recently granted landmark status by New York City’s Landmarks Preservation Commission, the first time a New York City site has been designated as a landmark primarily for its significance to LGBT history. Read more about the decision here.
The annual NYC Pride March, the culminating event of Gay Pride month, starts at Noon on Sunday at 36th Street and Fifth Avenue and works its way downtown to Christopher and Greenwich Streets in the West Village. Also happening on Sunday are PrideFest and Dance on the Pier, a fund-raiser featuring Ariana Grande.
For complete information, parade route, and a full list of events visit NYC Pride.
In the summer of 1987 Keith created a mural on one of the walls surrounding what was then known as the Carmine Street pool. Completed in one day, the mural was done while the pool was open to the public, with Junior Vasquez bringing speakers and equipment to deejay, creating an event Keith described as a “dance party at the pool.” He continued,
“it was one of the hottest days in the summer and it was full of people, and it was one of the most incredible situations I have ever been in.”
The Carmine Street pool is now the Tony Dapolito Recreation Center, and is located at 1 Clarkson St at Seventh Ave South in Greenwich Village. New York City’s public pools are free to all. Visit nycgovparks.org for information regarding hours and access.
And read a review in Gothamist which names the pool at the Tony Dapolito Recreation Center one of the top 9 swimming pools in the city.
Congratulations to Shuddhabrata Sengupta, recipient of the 2015 – 2016 Keith Haring Fellowship in Art and Activism at Bard College.
Sengupta, an artist, curator, and writer based in Delhi, has been selected as the second winner of the Keith Haring Fellowship in Art and Activism. Made possible through a five year-grant from the Keith Haring Foundation, the Haring Fellowship is an annual award for a scholar, activist, or artist to teach and conduct research at CCS Bard and the Human Rights Project. Sengupta’s one-year appointment will begin in September 2015. He succeeds the Dutch artist Jeanne van Heeswijk, who has held the Fellowship during its inaugural year.
For more information about Shuddhabrata Sengupta and the Center for Curatorial Studies and the Human Rights Project at Bard College, please see the full CCS Bard announcement here.
Be sure to visit (and play!) the Keith Haring piano located at 62nd St and Columbus Ave, part of the Sing for Hope Pianos project.
From June 5 – June 21, Sing for Hope places pianos throughout NYC’s parks and public spaces for anyone and everyone to play. Each piano is a unique art piece created by a different artist or designer and becomes host to impromptu concerts by professionals and amateurs alike in an open festival of music for all of New York City. At the close of the two week event Sing for Hope donates the instruments to NYC schools, healthcare facilities, and community organizations in need, allowing the pianos to enrich lives for years to come.
To learn more about the project and find locations for all 50 pianos visit the Sing for Hope website here.
An original edition of the book Grapefruit is a centerpiece of the exhibition Yoko Ono: One Woman Show, 1960-1971, currently on view at the Museum of Modern Art in New York. Yoko Ono gave Keith a copy of the bookin 1989, and we’re so happy to have it in our collection.
Don’t miss the Yoko Ono show at MoMA, on view until September 7th!
We are so excited for the opening of Tseng Kwong Chi: Performing for the Camera at NYU’s Grey Art Gallery. Tseng Kwong Chi was an amazing photographer and great friend of Keith Haring. Tseng extensively documented the vibrant downtown art scene of 1980’s New York City, and also created a fascinating and complex body of performative self-portraits addressing themes of social and political identity. Visit the exhibition website for more information, and be sure to see the show!
If you can’t see the show in New York, the exhibition is traveling to additional venues, see the list here.
Conservators working on a 120″ x 120″ painting for the next leg of The Political Line exhibition tour, opening May 1 in Germany. This painting was not included in the previous exhibition venues and hasn’t been exhibited in decades. It is a wonderful addition to the show and looks amazing!