“I accept my fate, I accept my life. I accept my shortcomings, I accept the struggle. I accept my inability to understand. I accept what I will never become and what I will never have. I accept death and I accept life. I have no profound realizations — it is blind acceptance and some kind of faith.”
This year marks the 30thanniversary of World AIDS Day. World AIDS Day is an opportunity for people worldwide to unite in the fight against HIV, to show support for people living with HIV, and to commemorate those who have died from AIDS-related illness. Founded in 1988, World AIDS Day was the first ever global health day.
There are an estimated 37 million people living with the virus worldwide today. Despite the virus only being identified in 1984, more than 35 million people have died of HIV or AIDS, making it one of the most destructive pandemics in history.
Today, scientific advances have been made in HIV treatment, there are laws to protect people living with HIV, and we have much more knowledge about the condition. And, after over 30 years of the HIV pandemic, the world may soon witness the birth of an AIDS-free generation, with new infections in children reduced by more than half globally.
However, World AIDS Day serves as an important reminder that HIV has not gone away – preventative outreach and lifelong treatment remain vital, and stigma and discrimination are still a reality for many people living with the condition. The need to provide care, raise awareness, fight prejudice, and improve education persists.
During his lifetime Keith Haring worked to raise awareness of the disease. Before succumbing to AIDS-related illness in 1990, he established the Keith Haring Foundation to help continue the fight against HIV.
Gladstone Gallery is pleased to present an exhibition of paintings and works on paper by Keith Haring, all created between 1987 and 1989. These exquisite and surprising compositions, some of which are being exhibited for the first time, capture Haring’s invented version of reality that defined his artistic career. Astutely employing popular culture, sexual imagery, and religious iconography, the collages and large-scale paintings on view offer a deeply personal andcritically important narrative, while simultaneously providing rare examples of works created during the last years of Haring’s life.
The exhibition will be on view at Gladstone Gallery, 515 West 24th Street, from November 3, 2018 through December 21, 2018.
We are excited to announce Apocalypse, an exhibition of limited edition prints highlighting the collaborations between Keith Haring, William Burroughs and Brion Gysin at Pace Prints 521 West 26th Street Gallery. The exhibition also features archival material from the Haring Foundation archives that documents the background and relationships from which these works were created.
An opening reception will be held on Thursday, November 1, from 6-8pm. The exhibition is on view through December 21, 2018.
Congratulations to Tiona Nekkia McClodden, recipient of the 2018 – 2019 Keith Haring Fellowship in Art and Activism at Bard College.
McClodden is an interdisciplinary artist whose work takes a critical look at intersections of race, gender, sexuality, and social commentary. During her appointment at Bard College McClodden will continue her research of influential black artists working at the height of the AIDS epidemic whose work remains understudied. The research will lead to a publication on their work.
The Fellowship is made possible through a five year-grant from the Keith Haring Foundation, the Haring Fellowship is an annual award for a scholar, activist, or artist to teach and conduct research at CCS Bard and the Human Rights Project. McClodden succeeds Galit Eilat who held the Fellowship for 2017-18. Prior recipients include architects Alessandro Petti and Sandi Hilal, artist and curator Shuddhabrata Sengupta, and artist Jeanne van Heeswijk.
For more information about Tiona Nekkia McClodden, the Center for Curatorial Studies, and the Human Rights Project at Bard College, please see the full CCS Bard announcement here.
Keith Haring would have been 60 years old today had he not succumbed to AIDS related complications in 1990. He established the Keith Haring Foundation in 1989 so that he could continue to help the fight against AIDS even after his death. The Keith Haring Foundation is proud to be partnering with the Elizabeth Glaser Pediatric AIDS Foundation in their effort to see an AIDS-free generation by 2020.
To learn more about the Elizabeth Glaser AIDS Foundation and to help support their work visit http://www.pedaids.org
Keith Haring worked obsessively until his death on February 16, 1990. This mural, painted in 1989 on the wall of the Church of Sant’Antonio Abate in Pisa, is affectionally known as “Tuttomondo” – or “All the World” – and was the last public work he created. The mural still exists today.
Congratulations to Galit Eilat, recipient of the 2017 – 2018 Keith Haring Fellowship in Art and Activism at Bard College.
Eilat, an independent curator, writer, and founding director of the Israeli Center for Digital Art in Holon (2001 – 2010), has been selected as the fourth recipient of the Keith Haring Fellowship in Art and Activism. Made possible through a five year-grant from the Keith Haring Foundation, the Haring Fellowship is an annual award for a scholar, activist, or artist to teach and conduct research at CCS Bard and the Human Rights Project. Eilat succeeds Sandi Hilal and Alessandro Petti, of Decolonizing Architecture in Beit Sahour, Palestine, who held the Fellowship for 2016-17. Prior recipients include Dutch artist Jeanne van Heeswijk, and Delhi-based artist Shuddhabrata Sengupta.
For more information about Galit Eilat, the Center for Curatorial Studies, and the Human Rights Project at Bard College, please see the full CCS Bard announcement here.
Ugo Rondinone: I ♥ John Giorno is a citywide exhibition presenting the work and life of poet, artist, and activist, John Giorno, which opened this week in venues across Manhattan. Giorno, an iconic figure of New York’s downtown art scene, is perhaps most widely-known for his Dial-a-Poem phone line where anyone could call in and listen to poets, musicians, and activists performing their works. The Dial-a-Poem line has been reprised for this exhibition and can be reached by calling (641) 793-8122.
While still a student, Keith Haring was heavily influenced by the work of John Giorno and other innovative poets and writers, like William Burroughs and Brion Gysin. Keith wrote about this inspiration his journals, most notably in a piece he titled “A Chunk Called Poetry,” which can be read on our Tumblr on journal pages 62-67. Later, Keith would collaborate with many of these artists. Below is an album cover Keith created for a 1985 record compilation issued by Giorno Poetry Systems titled, A Diamond Hidden in the Mouth of a Corpse, which included such artists as Sonic Youth, Hüsker Dü, Diamanda Galás, and Coil.
Ugo Rondinone: I ♥ John Giorno is open now and runs through August 6, 2017. For more information and a list of participating venues visit http://www.ilovejohngiorno.nyc